Jessie Ann Foley’s The Carnival at Bray is an award-winning young-adult novel set in Ireland during 1993, when grunge played on every teenager’s Walkman.
The Carnival at Bray by Jessie Ann Foley
Maggie Lynch is a sixteen-year-old girl in Chicago, growing up working class amid hard-working and hard-partying Irish-American stock. When her mother falls in love with an Irish guy, the family moves to Ireland, to the seaside town of Bray, south of Dublin, where Maggie and her younger sister, Ronnie, try to find their place in a new culture.
Life is not all roses for Maggie, however. The family don’t have much money, she’s beginning to understand that her beloved musician uncle is a drug addict, and her mother falls in an out of love with regularity, so Maggie suspects they’ll be back in Chicago before she can blink. But, against her expectations, Maggie begins to feel at home in Ireland. She soon acquires a boyfriend, a surrogate father figure, and a sense of herself. It’s one of those brief periods in your teens when you start to think you might be figuring life out — before fate dumps on you.
Rock music is Maggie’s crutch, her refuge. She listens to Pearl Jam and Nirvana over and over, and considers her musician uncle, Kevin a wise sage. Kevin takes her to see Smashing Pumpkins, urges her to go see Nirvana live, and generally makes life seem exciting and vital. Kevin however has his demons. Still living with his mother, he drifts from bar band to bar band, never accomplishing much, and not fighting very hard against a serious drug addiction.
Kevin inspires Maggie to embark on a crazy trip to Italy to see Nirvana play on their 1993 world tour, so she basically runs away from home with her boyfriend, Eoin. Naturally, many things do not go according to plan. In a sense, this is a classic quest novel, wherein our heroine must make a journey in which she grows and learns much about herself. In another, it’s a coming-of-age story where the protagonist discovers what she cares about and how she wants to be in the world. And, of course it’s an illuminating fish-out-of-water tale of a big-city girl moving to a small Irish town where everybody knows everybody, and all their relatives back through the generations.
I came across The Carnival at Bray randomly at my local library. Though I work in the book trade, I had not heard of this novel and was intrigued by the premise: an American teen moves to Ireland with her family in 1993, during the heyday of grunge and the birth of generation X. I lived in Ireland during those years — although I was a little older — loved that music, and frequently wonder how my teenagers might handle life in Ireland if we moved back before they’ve grown. I don’t often get the chance to read a novel I genuinely know nothing about, as I’m too close to the hype machine in my work. So, I checked it out, and am very glad I did.
The author, Jessie Ann Foley, is from Chicago, and is married to an Irishman, so she is able to write about Ireland with both an outsider’s perspective and local knowledge. She understands what it was to love music as a teenager, to live and die in your CD collection, and she visceral thrill of seeing your heros perform live. There’s a real authenticity to the writing that I feel contemporary teens would be able to relate to. Of course, I loved the same bands and lived in Dublin during the period the novel is set, so I’m biased. I remember seeing Nirvana live, I remember where I was when I heard Kurt Cobain was dead, and I remember people gathering in the Phoenix Park and elsewhere to mourn him — all of which take place in this novel.
The Carnival at Bray is more than just a coming-of-age story, it’s a hymn to the vital importance of rock music during the teenage years, a poem about the joy of finding your tribe or at least a kindred spirit. It’s about taking chances and learning that a few bad decisions won’t kill you. And, is one of those occasional novels that I feel both young and adult readers will enjoy.
Other powerful young-adult novels (by Irish authors) I’ve read or reviewed recently include Louise O’Neill’s Only Ever Yours (review) and Sarah Bannan’s Weightless.
In Ireland or the UK, you can purchase The Carnival at Bray here…